Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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James Stephanoff
The Banquet Scene,king Henry- The fairest hand i ever touched play of henry VIII.Act i scene 4.Painted by command of His Majesty (mk47)

ID: 26135

James Stephanoff The Banquet Scene,king Henry- The fairest hand i ever touched play of henry VIII.Act i scene 4.Painted by command of His Majesty (mk47)
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James Stephanoff The Banquet Scene,king Henry- The fairest hand i ever touched play of henry VIII.Act i scene 4.Painted by command of His Majesty (mk47)


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James Stephanoff

(1789-1874).   Related Paintings of James Stephanoff :. | Tileworks in the Principe Pio Mountains | Woman With a Burning Candle | blommor-sommarblommor | Reclining Woman | The Glacier of Grindelwald |
Related Artists:
Curt Herrmann
German, 1854-1929
Francis William Edmonds
American, 1806-1863,American painter and banker. He achieved recognition both as a painter and as a banker, juggling careers with consummate skill. In 1826 he enrolled at the National Academy of Design while working in a New York bank. Somewhat insecure, he initially exhibited between 1836 and 1838 under the pseudonym E. F. Williams, but favourable reviews subsequently prompted him to use his own name. In 1840-41 Edmonds spent eight months in Europe, where he studied the Old Masters; he particularly admired the 17th-century Dutch painters Pieter de Hooch and Gabriel Metsu.
Makart, Hans
Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work






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